Beyond Bohemia
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Cape Cod’s naturally spectacular environment and cultural community continuously draw people from across the globe. As John Taylor Williams wrote, this was true over 100 years ago as well. “Beginning around 1910, those dedicated to radical political reform, a new exploration of personal relationships free from Victorian strictures, and a search for the new ‘American’ voice in writing, painting, architecture, and theater congregated . . .” —The Shores of Bohemia, A Cape Cod Story, 1910-1960
The Artists
Karri Allrich
Karri Allrich is an expressive New England artist painting evocative landscapes, seascapes, and nature-inspired abstractions. She is a graduate of the Corcoran School of Art in Washington DC, influenced by Wolf Kahn, Fairfield Porter, Forrest Moses, and Helen Frankenthaler.
Her work is in private, public and corporate collections, including Nordstrom Inc, Horchow, Claire Murray, and the Town of Mashpee. Karri was chosen as an Arts Foundation of Cape Cod’s Pops by the Sea Commemorative Artist, and has been featured in Cape Cod Life Magazine, Cape Cod Life's Annual Arts Issue, Cape Women Magazine, The Review, and House Beautiful.
Julia Cumes
- Harvesting Dreams, Wellfleet | archival pigment print | 16 x 24, framed 16.25 x 24.25 | $1,400
Award-winning photographer Julia Cumes captures the long history of Wellfleet's shellfishing community in "Harvesting Dreams, Wellfleet." Here, she portrays Sonya Woodman in the midst of wild harvesting, demanding yet rewarding work. Sonya’s deep bond with our environment is representative of an integral part of the rich tapestry celebrated in "Beyond Bohemia”. Cumes’ image joins an honored tradition where creativity and nature converge.
SaraJane Doberstein
- Moody Blues | oil on canvas | 24 x 36, framed 25.5 x 37.5 | $4,800
"Of water sucking the hollow ledges, Tons of water striking the shore,— What do they long for, as I long for One salt smell of the sea once more?” —Edna St. Vincent Millay, Inland
Sara Jane Doberstein is a Signature member of Oil Painters of America, American Women Artists, and the American Society of Marine Artists. Her work has been included and won awards in many prominent juried exhibitions across North America including the Grand Prize winner with the American Women Artists Rockwell Museum show, Oil Painters of America, American Women Artists and Salon International. She has been featured in several publications, including Cape Cod Arts, American Art Collector and International Artist Magazine.
Maryalice Eizenberg
- The House that Jack Built | oil | 24 x 18, framed 25.5 x 19.5 | $1,500
In this piece, you can almost hear the back door slam as author Hayden Herrara and her sister, Blair, race through the woods to swim in their pond behind the house built by their father, Jack Phillips. In her memoir, Upper Bohemia, Herrara speaks of the wildness of her childhood summers on the acres of Wellfleet woodlands. - A Player Prepares | oil | 20 x 20, framed 21.5 x 21.5 | $1,500
"Trifles is a one act play by Provincetown Players founder Susan Glaspell. It was first performed on August 8, 1916 at the Wharf Theater with Glaspell playing the part of Mrs. Hale. With themes of sexist assumptions, identity and social justice, the play is as relevant today as it was over 100 years ago."
Maryalice Eizenberg is an award-winning artist and Massachusetts native. She has studied with accomplished painters John Cosby, Donald Demers, Joseph Paquet and Charles Sovek. Her work has been featured in Cape Cod Life and Chatham magazines. Her work has been included in The Creative Spirit, Art in Chatham's Old Village and Contemporary Cape Cod Artists, People & Places. She teaches at the Creative Arts Center in Chatham and is a member of Oil Painters of America, American Women Artists, Cape Cod Plein Air Painters and 21 in Truro. Her work is held in private collections in the United States, Europe and Japan.
Stephanie Foster
- Provincelands | photograph | 20 x 29.5, framed 29 x 38.5 | $900
The land and the sea were so beautiful artists cobbled a shelter together to be as close to them as possible and learn their secrets. - Sand Saddle | photograph | 13 x 19, framed 17 x 23 | $600
In the dunes, earth and clouds seem to touch one another. Words are inadequate to describe what the heart beholds. - Foggy Path | photograph | 19 x 13, framed 23 x 17 | $600
Mist is a magical experience at the tip of the Cape where the ordinary is transformed into the extraordinary and perceptions are enhanced.
When Stephanie Foster attended New England School of Photography, she was told to never stop taking photographs. She didn’t. For 14 years, as a creative director in Boston, she did both the photography and copywriting for her clients. Later she turned her talents to fashion photography, working at a Newbury Street studio. She also appeared on WBZ as a gift consultant and tipster. When she moved to the Cape, her interest shifted to nature photography, landscapes and portraiture as well as writing.
Marc Hanson
- Breaking Through | acrylic | 12 x 16, framed 14 x 18 | $1,750
“The trail cut through the blueberry moors, dipped into the pine woods, and arrived in a little valley where the light filtered through the green leaves of young trees.” —Mary Heaton Vorse, Time and the Town - Light Catcher | acrylic | 16 x 20, framed 23 x 27 | $2,800
“The austere beauty of the dunes is almost impossible to paint. No one has rendered their magnificence or their violence. Most attempts to paint the dunes make them look like insipid sand piles.” —Mary Heaton Vorse, Time and the Town
“I have pursued a career as a painter for many years now. Along the way my methods, materials and focus have evolved. A naturalist at heart, the landscape is the perfect vehicle for expressing the joy I have for the world that surrounds me. I’m most successful when I’m able to communicate that joy to the viewers of my paintings.”
Marc teaches landscape painting workshops nationally.
Marc has shown his work in galleries and museums nationally and internationally since the early 1980s. He is a Master Signature Member of The Oil Painters of America (O.P.A.M.), having won an Award of Excellence at O.P.A. National Exhibits in 2000, 2007, 2009, 2010 and 2011. In 2011 Marc’s painting ‘Right or Left’ was awarded Bronze Medal for Painting at the OPA National Exhibition in Coeur d’Alene, ID. Among his many awards, he’s placed four times in The Pastel Journal’s ‘Pastel 100’ competition.
Marc Kundmann
- The Audition | encaustic and oil on poplar | 19.75 x 19.75, framed 20.25 x 20.25 | $2,650Marlon Brando’s Cape Cod connection began in 1947 when he hitchhiked to Provincetown to read for Tennessee Williams’ A Streetcar Named Desire. Sent by director Elia Kazan, Brando floored Williams with his performance and appearance, prompting Williams to refer him in his memoirs as “one of the best-looking men I’ve ever seen.”
- Bathing Beauty | encaustic and oil on poplar | 27.5 x 20.75, framed 28 x 21.25 | $3,250
"This is based on a black and white photo taken of my mother by my father. He photographed her extensively with what I find a very fascinated and loving eye. This one was taken around 1959, just a couple of years before their emigration from Germany to the US, specifically Chicago. Working on the historical Beyond Bohemia paintings made me interested in a more personal American history. With few belongings and resources, my parents, at a very young age—my mother was about 24 years old with one child already—left behind family and friends hopeful for a better life with opportunity in the US. I see how young and fresh they were. Being a bit of an immigrant myself trying to navigate a different culture and language, but with a life of experiences behind me to build on, I marvel at the risk they took, their accomplishments, and their embrace of the American Dream.” —Marc Kundmann - Intermission, Summer 1916, Louise and Charles | oil, wax, acrylic | 20 x 17.75, framed 25.75 x 23.75 | $2,650
Eugene O’Neill’s Bound East for Cardiff was performed on July 28, 1916, in Provincetown.
“The audience that opening night included the rising journalist Louise Bryant, with her large violet eyes, soft black hair, and high color in a red cape over a white linen dress (her play The Game was on the same bill with O’Neill’s)...Charles Demuth was dressed in a black shirt and purple cummerbund and his companion, Marsden Hartley, in a long blue coat with a gardenia in its buttonhole.”—John Taylor Williams, The Shores of Bohemia, A Cape Cod Story, 1910-1960 - The Housemates, Summer 1916, Charles and Marsden | oil, wax, acrylic | 13.75 x 20, framed 19.25 x 24.5 | $2,250
“Marsden Hartley, who, like Charles Demuth, was gay. He felt comfortable in Provincetown’s risqué ambience, with drinking, skinny dipping and drag balls. Hartley called 1916 that ‘remarkable and never repeated summer.’ He described living in the dunes then. ‘Whoever will forget those dunes – once having seen them – and the great rumbling, dramatic ‘outside’ as it was called – the ocean itself, the long stretch of lonely sands, and nothing else but the life saving station.”—New England Historical Society - The Playwright and the Dancer | acrylic, oil, wax | 28 x 20, framed 29.5 x 21.5 | $3,250
"Perhaps for the only time in his life Williams unguardedly fell in love. For less than six weeks that summer he and the 22-year-old Mr. Kiernan, whom the playwright thought resembled the Russian dancer Vasla Nijinsky, shared a two-story shack on Captain Jack’s Wharf." —Randy Genre, New York Times, "Suddenly That Summer, Out of the Closet," September 24, 2006
"Williams found the first (and some say the only) great love of his life in 1940, a young dancer who called himself Kip Kiernan, but was actually a Canadian draft dodger named Bernard Dubowsky. He became smitten with the beautiful young man, but the relationship soon ended bitterly and when his lover died tragically soon after of brain cancer, Williams enshrined him in his plays as Brick, Chance and numerous other young men whose external charms concealed an internal decay." —Richard Ouzounian, Toronto Star, "American Playwright's Messages Ring True," March 11, 2011
Figure of Williams based on a photo by Harold Norse. - Baths | encaustic, oil stick, charcoal | 24 x 24 | $2,650
Bathers have been a subject of art for centuries, although generally focused on women. A beach or public bath offers a certain safety for viewing and displaying the beauty of the human form because we are all minimally clothed in these places. I'm inspired by the bohemian artists Charles Demuth and Marsden Hartley who interpreted this subject through the lens of their own identities and experiences, focusing on men on the beach or in a Turkish bath with an honest and even exaggerated sexuality—bold and subversive 100 years ago. - Jose Rosa | oil, wax, acrylic on panel | 27.5 x 27.75, framed 28 x 28 | $3,850
"Jose is part of a new Bohemian culture I encounter in Mexico. He is an designer, artist with social activist mindset, originally from Puerto Rico. He spent months in Mérida, workshopping with local artists, learning dance, anything he could. I saw him finding inspiration and community in a place that felt safe and new, yet remote and culturally exotic.” —Marc Kundmann
Marc Kundmann studied and workshopped with fine artists connected to the long tradition of painting on the Cape including Robert Henry, Jim Peters, Bert Yarborough and Richard Baker. He combines wax, oil and acrylic media to create works layered with vibrant color, transparency, and texture. He focuses on using this intriguing and beautiful surface to give his subjects emotional life and hint at the mystery inside.
Dottie Leatherwood
- Seeking | oil | 24 x 36, framed 25.5 x 37.5 | $2,950
“Always the sea was throwing treasure trove on the shore — cloth and liquor and wood for building, everything could be found a man might need. Beachcombers were ever busy looking on the beach. Today one lone beachcomber patrols the shore for what he may find.” —Mary Heaton Vorse, Time and the Town
Dottie Turner Leatherwood is an impressionist with a passion for the coastal landscape. Growing up, she spent time sketching and writing, her imagination fueled by the landscape. Dottie continues to draw her inspiration from nature and feels a sense of responsibility to record that beauty in hopes that others will see the value in preserving our natural environment for generations to come.
Sharon McGauley
- Kemp Dune Shack | oil | 18 x 18, framed 20 x 20 | $2,800
“Back from the wave-carved ramparts of the beach, Skyward the grey, enormous sand-dunes reach, Stippled with far-seen trails of wandering feet" — Harry Kemp.
Sharon McGauley, an internationally collected artist, has earned multiple grants and a residencies. Her richly layered, evocative oil paintings are found in museums, galleries and private collections worldwide. Her landscape work is grounded deeply in a sense of place, and captures the beauty of a broad range of subjects, each one defined by shifting, simple palettes and a love of big spaces and subtle tones.
Jonathan McPhillips
- Delightful Angles | oil | 12 x 9, framed 18 x 15 | $1,500
“When I visited Bound Brook Island and the properties frequented by the bohemians, I felt like I was in a visual time machine. The grass a little long, the shrubs overgrown, and the buildings eerily vacant. Yet energy and life seemed present. One could almost hear the laughter of a playwright and a painter or see the flash of a scientist playfully chasing a musician between the buildings. All these feelings and imaginations were brought to life in the 'Delightful Angles' of the structures left behind." —Jonathan McPhillips
Jonathan McPhillips graduated from Connecticut College in 1993 with a Cum Laude Distinction in Fine Art. Working in the studio and on location, his work includes the harbors, beaches, vessels, and architecture of our coastal marine environment—a celebration of coastal New England.
Andrea Petitto
- Child of the Bohemians | oil | 14 x 11, 16 x 13 framed |$850
The new bohemians were devoted to a life of personal liberty and artistic pursuits. Child care was not a priority and their children often had to take care of themselves. In her memoire as a child of these bohemians, Hayden Herrera writes, “Our terrible mother gave [us] a wonderful life and, she was not the only terrible mother.”
Andrea Petitto was born in rural Massachusetts where, in her youth, she had to choose between art and science. Instead of the usual children's literature, as a small child Andrea was fascinated by the images in large folio books of Rodin and Michelangelo sculptures. These influences can still be seen in the strong sense of solidity and form in her paintings. In 1990, after a career as university professor and industry consultant, she moved to art. Andrea taught art classes at Finger Lakes Community College in Canandaigua NY, Cape Cod Art Association in Barnstable and Creative Arts Center, Chatham. She has had solo shows in Canandaigua and at the Copley Society in Boston, and has won many awards in Rochester, NY, Boston’s Copley Society, and at many venues on Cape Cod.
Anna Poor
- Night Visitor, Thalassa Mouse | unique bronze | 2 x 3 x 6 | $3,200
Anna Poor was introduced to the magical world of the dunes by Joyce Johnson, and had the good fortune to stay in the dune shack, Thalassa, through The Peaked Hill Trust lottery. This bronze mouse was inspired by visits from her midnight shack mates.
Anna Poor is a sculptor with deep roots in the Cape. She has had numerous one person and group shows, many awards, including a mid-career survey in 2010 at Provincetown Art Association and Museum and a Massachusetts Artist fellowship in 2001. She has been on the board of Castle Hill since 1988, and teaches at Northeastern University.
Cynthia Reid
In Cynthia Reid’s newest works, color, shape, and texture are key elements. Her birds, florals, bird nests, cottages, landscapes, and garden vignettes provide a contemporary take on traditional subject matter. In painting her flowers and birds, she takes a whimsical approach and uses a sunny palette of colors. “These paintings are intended to evoke joy and portray the inherent beauty of the natural world,” says Reid.
Cynthia Reid left a successful career as a physician to pursue a passion for painting that had consistently increased while she was practicing medicine. Her interest in art began when she was young and painted with her paternal grandparents, both of whom were oil painters.
Paul Schulenburg
- Mary Heaton Vorse | oil | 24 x 18, framed 30 x 24 | $4,500
- Away from it All | oil | 14 x 18, framed 19 x 23 | $2,900
"Walking over the dunes outside of Provincetown it’s easy to feel miles away from anyone. Then, occasionally you will encounter a sign of human presence, a shack or a shed placed here or there. I encountered this little building while walking and was drawn to its simple shape and lively colors standing out in the wild.” —Paul Schulenburg
Paul Schulenburg is an internationally collected artist whose work has shown at the Hopper House Museum, in solo shows at Cape Cod Museum of Art, at Provincetown Art Association and Museum and Cahoon Museum of American Art. He has appeared over dozens of times in respected national art publications including on the cover. Schulenburg is a first place Copley artist, member of Oil Painters of America and was commissioned by the Isabella Stewart Gardner Museum to create a portrait of museum trustee Eliot Forbes.
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