Outermost Inspirations
Walking the Beach | oil on canvas | Paul Schulenburg | 24 x 36
Paul Batch
“It is pure force, forever embodying itself in a succession of watery shapes which vanish on its passing.” — Henry Beston
“The inspiration for this piece was the energy and movement of a wave. In an attempt to express this, I physically moved my entire body along with the rhythms of the wave applying paint onto canvas in a manner that appeared more like a dance than that of a brush stroke.” — Paul Batch
“For the gifts of life art the earth’s and they are given to all, and they are the songs of birds at daybreak, Orion and the Bear, and the dawn seen over the ocean from the beach.” — Henry Beston
“This piece was inspired by the bouquet of colors that the sun so graciously gives us after darkness.” — Paul Batch
David Burns
"One can see the quiet of the Bay — the subdued easterly wind blowing across the fields, the belt of winter weeds, the glint and warmth of the sun; there is a sense of old time dead and a new time beginning.” — Henry Beston
"Purveying the coastal Cape, with so many variations of light as the clouds race over the dunes; to begin a painting, letting my eye value the many subjects that the sand and sea have settled on. Art is a new beginning.” — David Burns
SaraJane Doberstein
Maryalice Eizenberg
“Our fantastic civilization has fallen out of touch with many aspects of nature, and with none more completely than with night.”
"Be the answer what it will, to-day's civilization is full of people who have not the slightest notion of the character or the poetry of night, who have never even seen night. Yet to live thus, to know only artificial night, is as absurd and evil as to know only artificial day.” — Henry Beston
“I am drawn to the night. It is when the world is most quiet. This stillness allows the traveler to see and hear more than they would in the same spot under the light of the sun. There is poetry in the night” — Maryalice Eizenberg
"The sound of the wind blowing gently through the tops of the trees and the sound of the water crashing against the bar was an auditory sensation that added to the visual pull of the scene." — Maryalice Eizenberg
"I am most at peace with myself when I am near the water or surrounded by trees. My mind settles, my breathing becomes relaxed and I can think of things beyond myself. Standing in a natural environment I become more.” "Nature is a part of our humanity, and without some awareness and experience of that divine mystery man ceases to be man." — Maryalice Eizenberg
Marc Kundmann
Sharon McGauley
"The truth of this observation is simple and true. I always go to the sea to feel closer to nature, and going at night is even better. It gives me the feeling of being on a ship, of being alone in a big universe, in a way that is increasingly hard to find.” — Sharon McGauley
Jonathan McPhillips
“Walking the beach close in along these steeps, one walks in the afternoon shade of a kind of sand enscarpment, now seven or eight feet high...now fifteen or twenty feet high.” — Henry Beston
From the artist
“One of my favorite little pleasures is coming around or over a dune for the first time at a beach entrance.”
“The walls of sand keep the beach a mystery, and enhance the anticipation when approaching from the long, soft paths.” — Jonathan McPhillips
John Murphy
"Today, 90 years after the book was first published, Beston is widely acknowledged as the spiritual father of the park. When the outer beaches of Cape Cod were under consideration for National Park status in the 1950s, the Department of the Interior sent representatives to evaluate the area. Quotations from The Outermost House were cited in their reports.
The Cape Cod National Seashore has drawn millions of visitors since it was first established by a decree from President John F. Kennedy in 1961. One of the great influences on the park’s establishment was the Cape Cod nature classic, The Outermost House, by Henry Beston.” — Don Wilding
Susan Overstreet
“Whatever attitude to human existence you fashion for yourself, know that it is valid only if it be the shadow of an attitude to Nature.” — Henry Beston
Andrea Petitto
"The ancient values of dignity, beauty, and poetry which sustain it are of Nature’s inspiration; they are born of the mystery and beauty of the world. Do no dishonour to the earth lest you dishonour the spirit of man. Hold your hands out over the earth as over a flame. To all who love her, who open to her the doors of their veins, she gives of her strength, sustaining them with her own measureless tremor of dark life. Touch the earth, love the earth, honour the earth, her plains, her valleys, her hills, and her seas; rest your spirit in her solitary places.” — Henry Beston
From the artist
“I have always loved to walk through the great dunes of the Outer Cape. The dunes roll away into the distance having been sculpted by the persistent winds endlessly removing and depositing sand creating shapes that mimic the waves of the nearby ocean. Life is scarce on these dunes and what there is eke’s a precarious living from the dry sand. Beach plums have enormously long taproots which draw water up from the the 'moist core of the sands'. These things speak to us of the persistence of life against all odds.” — Andrea Petitto
“In my world of beach and dune these elemental presences lived and had their being, and under their arch there moved an incomparable pageant of nature and the year. The flux and reflux of ocean, the incomings of waves, the gatherings of birds, the pilgrimages of the peoples of the sea, winter and storm, the splendour of autumn and the holiness of spring—all these were part of the great beach.” — Henry Beston
From the artist
“As a year round Cape Cod resident, I also walk the beaches through all the seasons and all the moods of the fickle New England weather. This painting reminds me of many times I’ve been on the beach ahead of or after a storm. The light is low and rich and the contrast between the clear blue sky and the encroaching clouds is dramatic. An on-shore breeze provides a tactile connection to movements of the ocean. This woman might be heading home before a storm or she might be heading out after a storm to see what changes might have occurred.”
— Andrea Petitto
Amy Sanders
“The dominant note is the great spilling crash made by each arriving wave. It may be hollow and booming, it may be heavy and churning, it may be a tumbling roar. The second fundamental sound is the wild seething cataract roar of the wave’s dissolution and the rush of its foaming waters up the beach—this second sound diminuendo. The third fundamental sound is the endless dissolving hiss of the inmost slides of foam.”— Henry Beston
“Around 3:00 on a bright and clear winter afternoon I took a walk along the outer beach. The sun was just about to set behind the high dunes, resulting in light striking almost directly on the front of the perfectly formed curl of a wave. There was an intriguing shadow tucked under the curl, and the foreground water was already in the shade creating a unique lighting that just begged to be painted.” — Amy Sanders
“…the hiss of sand mingles its thin stridency with the new thunder of the sea.” — Henry Beston
“I traveled to Nauset Beach to check out the immense storm damage from the 4 Nor’easters we had in a row. While there was considerable damage to the constructions of people, the beach is the beach. It simply moved itself further inland. What caught me most in this scene was the incredible pattern of the sky, combined with the receding wisps of water. Together they formed a stunning display of perspective.” — Amy Sanders
Paul Schulenburg
"5 o’clock in the afternoon, and I have arrived at Nauset station after a walk up the beach and a cold headwind… The 4:30 supper is drawing to a close but my neighbors are still at table, for I can hear voices and discussion at the board. Come in! I find my friends still at their long table in the kitchen’s farther end. Supper is just about over. Somebody went fishing yesterday, and on the table a great tureen, once full of good fish chowder, stands at dead low tide... Sit down and have a cup of coffee with us… Thanks I’d love to.” — Henry Beston
"The Eastham Coast Guard Station stands defiantly beside the rolling surf and the ever changing beach sand. The red roof, green shutters, white clapboard as well as steel girders and wood fencing contrast against the wide-open ocean front environment. In this painting I concentrated on the complexity of light and shadow in the architectural detail of the man-made environment onshore, with just a hint of the open ocean in the distance.” — Paul Schulenburg